Church of San Miguel Arcángel
It is the main monument of Larraga and it is only open during the hours of worship. Architecturally, the set consists of several artistic styles. The oldest, Romanesque-Gothic, are located at the entrance of the temple and reach the columns of the interior. This primitive temple was extended during the sixteenth and seventeenth centuries with a new cruiser and a new headboard, highlighting two huge columns in the first and the horns and the quarter sphere that cover the main chapel in the second. Being one of the three fully classicist constructions of the moment, this extension is considered one of the best architectural works of the Navarrese Renaissance. This characteristic was motivated by the intervention of Juan de Villarreal, one of the precursors of the rebirth in Navarre. Later, in century XVIII was erected the baroque tower in the outside following the model of the one of Santo Domingo de la Calzada, and in century XIX a neoclassic sacristy was constructed in the interior.
As for the furniture, first of all we could mention the body of Diego Gomez, with a baroque keyboard and a romantic one of which stands out the register of the horn of the right hand. It has a monumental façade-altarpiece and figures as one of the best in Navarre. The main altarpiece is a baroque work that is declared of Cultural Interest (BIC). Its owner is San Miguel and the author is the architect Fermin de Larrainzar. Another one of the outstanding altarpieces is the one of the Virgin of the Rosary (BIC), baroque. It is located to the left of the main altarpiece and stands out for its rich decoration of foliage and flowers, very fine and carefully executed, as well as the titular virgin, from the beginning of the 16th century. The Santo Cristo del Socorro is at the entrance of the temple and is one of the few crucified remains of Navarrese Romanesque (XII-XIII centuries). He has a great devotion in Larraga and for that reason he is copatrón of the same, being his party the 3 of May. It is declared BIC, as well as the baptismal font, which was worked as the Renaissance enlargement (16th century) was executed.